I had written a children’s chapter book, edited it and had sent it out to every literary agent I could find. With the dog smiling confidently at me from his position near the fridge, I sat back and waited to see which agents would respond positively – I was in for a lot of disappointment.
Over the course of several weeks, a few agents emailed me back to say that my book wasn’t right for them, and many more didn’t respond at all. At the end of a few weeks, I had to accept that I wasn’t going to be getting an agent any time soon. I tried to see each rejection as just part of the learning process on the path towards publication, but it wasn’t easy. Somehow, even the dog’s wagging tail and trusting eyes were starting to lose their ability to boost my confidence.
Clearly the only people with an easy route to publication were either writers who had already successfully published at least one book, or celebrities, who presumably came with an existing fan-base to guarantee sales. I was neither a celebrity, nor in a position to guarantee that my children’s book would break all known book-sales records. Seemingly agents and publishers were not keen these days to take risks. What did other people do in these circumstances? I could just stick my book on a shelf and forget about it, but I’d developed a strong sense of loyalty to my book’s characters, and I felt I’d be letting them down if I didn’t look for other publishing options.
What about self-publishing? Again, I turned to the internet and the Children’s Writers’ and Artists’ Yearbook. It seemed that there were lots of self-publishing companies out there. I looked up reviews of a few of them, and found that some would offer to, supposedly, publish un-agented writers in a traditional way, but then later ask for money to complete the publication process. These were the so-called ‘vanity’ publishers, who it seemed could easily take advantage of inexperienced writers, and fleece them for money while producing a poor quality book. I definitely didn’t want that to happen to me. The dog looked questioningly at me. I told him firmly that I would keep well away from those types of publishers, and he licked my hand in agreement.
Then there was the option of putting my book on Kindle, via Kindle Direct Publishing. I looked into this and then realised that for a children’s book this might not be ideal – as far as I could see, most children still bought traditional printed books. Also, this involved some degree of technical know-how, and although my IT knowledge had come on in leaps and bounds, I was reluctant to risk producing something low-quality through lack of expertise.
Again, the Children’s Writers’ and Artists’ Yearbook came to the rescue. They recommended Matador, a self-publishing imprint of Troubador, based in Leicestershire. I had a look at a few more reviews and discovered that other people had found this self-publisher helpful and, importantly, not pushy. It also looked as though they produced high-quality, self-published books. I asked the dog whether he thought I should give them a try. He stared into space as he considered the question before nodding solemnly at me, and then lifting one paw in the gesture he uses to say ‘please’. I saw this as a good sign, and put together an email to send to Matador, including my manuscript. This time I received a positive response, with a list of options to consider – did I want to produce a large print-run of books and have professional marketing and distribution, or did I want to keep it all much more low-key, go for ‘print-on-demand’, and do my own marketing and distribution? What a lot to think about!
There were so many decisions I needed to make, but one thing was clear – I had finally started on my journey to becoming a published author – the dog and I couldn’t have been more delighted!